Para Deleuze, la Filosofía es la creación de conceptos.
Escribió sobre Cine.
Escribió, junto con Félix Guattari varios libros, como Mil Mesetas y ¿Qué es la filosofía?.
Creo que su filosofía, junto con la de Félix Guattari, se asemejan significativamente al Budismo.
Cambió la Imagen del pensamiento, en Diferencia y repetición, dogmática a una abierta que abraza el caos inherente de la existencia.
Promueve un pensamiento Diagramático.
Deleuze, like many writers of the twentieth century, regarded western thought in general as being dominated by the dogmas of common sense and representation (Deleuze 1994). The very concept of thought as representation assumes that there is some objective, present, real and external world that is then re-presented by thought, as though thought were a passive picture or copy of the world. There would be an actual world (the real), and then its virtual and secondary copy. Deleuze wants to reverse and undermine this hierarchy. Both the Actual and the virtual are Real, and the Virtual is not subordinate to the real. On the contrary, the virtual is the univocal plane of past, present and future; the totality of all that is, was and will be. It is therefore an open totality or whole, never fully given or completed. The virtual can then be actualized in specific forms.